1. MUSICAL ACOUSTICS I
Simple and compound vibration
The vibration and its parameters
The Helmholtz resonator
Standing waves
Instumental frequency range

2. PSYCHOACOUSTICS
Auditory perception
Perceptual scales: psychoacoustic
Perceptual attributes

3. ROOM ACOUSTICS II
Reverberation and delay time
Sabine equation
Reverb radius
Acoustic materials
Acoustic architecture
Algorithmic Reverberation
Convolution reverberation

4. EAR TRAINING FOR RECORDING ENGINEERS
The human ear
Loudness curves: Fletcher and Mundson
Scales and tonality
Frequency and harmonics
Recognizing intervals
Complex listening: polyphonic harmony

5. MICROPHONE TECHNOLOGY
Classes of microphones
Electronics and construction of microphones
The big and small diaphragm
Definition of the polar pattern

6. RECORDING TECHNIQUES I
Mono and stereo sound
Introduction to mono and stereo recording techniques
Fields of application
Advanced stereo recording techniques
Decorrelation FDSC
Time delay alignment in orchestral recordings
The culture of sound I

7. RECORDING TECHNIQUES II
Advanced stereo recording techniques
The binaural sound: binaural recordings
Recording techniques for 5.1 and 7.1 surround sound
3D recording techniques AURO 3d / Dolby Atmos
Ambisonic recording techniques 360
The culture of sound II

8. HIGH RESOLUTION RECORDING SYSTEMS
A/D and D/A Converters
PCM recording systems
Recording systems in DSD and DXD
Publishing and authoring stations in PCM, DXD and DSD
Audio network protocols

9. RECORDING ON LOCATION
Location Recording designs:
Session 1: Recording music group camera
Sesión 2: Solo recording
Session 3: Orchestral recording
Sesión 4: Choral music recording

10. MUSICAL & ARTISTIC PRODUCTION

11. INSTRUMENTS AND TUNING (Steinway masterclass)
The fretboard
Families of instruments
Tuning of key instruments
Tuning of wind instruments
Tuning percussion instruments

12. SOURCE DESTINATION EDITING S/D
Non-linear audio editing styles
The digital edition with score S/D

13. MUSICAL FORMS FOR CINEMA

14.THE MIX
Sound mixing workshop I
Advanced sound mixing workshop II

15. MASTERIZATION
Mastering workshop I
Advanced mastering workshop II

16. FINAL MASTER THESIS-RECORDING PROJECT (FMT)